Ex-Reverie
The Right Place at the Right Time

Words by Andy Napolitano

03.11.2008

The city of Philadelphia is fast becoming one of the premiere scenes for rock music. "Philly is really a pretty amazing place to be right now. It really feels like the right place and the right time. I think we've had a rare opportunity to put together a community of people that have all kinds of really interesting influences, and everybody plays on everybody else's records," says Gillian Chadwick, front woman and the creative force behind one such group, Ex-Reverie.

Chadwick's music presents an interesting synthesis of ideals. "I studied philosophy in college, and I studied aesthetics. My pet project was focusing on this idea of making a moment of your life a work of art. For me as a songwriter, that means I want that whole song to be like visiting another world," she reveals, before pointing out, "Its high concept stuff on some level, and on another level its just trying to make hot riffs."

Those 'hot riffs' are definitely evident on Ex-Reverie's first full length LP, The Door Into Summer, an album of folk and classic glam rock influences that come together with fantasy based lyrics to create a fresh perspective on humanity. "I think my influences are probably equally literary as they are musical for the whole project." Chadwick relates. "As far as Ex-Reverie, it's very much a picture of me as a person lyrically. As someone who really loves science fiction and fantasy. I wanted to get those elements and have the setting of the songs be slightly surreal landscapes just cause to me that's the tastiest thing to read about. I like the idea of creating other worlds and tapping into other atmospheres and yet also getting the same human element. The human condition is gonna stay the same, whatever the landscape is. It's still gonna be heartbreak and desire, and those big life questions."

"David Bowie really changed my life. His albums were more than just songs. It was a whole world that you could go to, this fun kind of identity that you could interact with. That's just something that I love about music," states Chadwick. "When you get into interacting with something that's fantasy based you have more freedom to explore different elements of your own identity."

Self-Exploration is definitely on of the themes of The Door Into Summer. When crafting the discs lyrics, Chadwick did a lot of that exploring herself, by going through her past. "I went back through old journals and pulled out, almost like puzzle pieces, different phrases here and there that I liked and put them all together and see where they would fit in the musical pieces that I already had. Inevitably that thing would come together as a cohesive thought," discloses Chadwick. "That was a really nice process cause it was almost like an insight to my own brain. To see how things fit together and say "Oh, that's what I'm thinking about, okay…"

"It was revealing myself through fragments. Some of the different lines in the songs may be about the same emotions, but they may be from different parts of my life. Its almost like an early Marcel Duchamp painting, where he would show the body in motion. For me I'm seeing a scene of my own life from a lot of different angles."

That personal touch gives Ex-Reverie's music a certain charm than is missing from a lot of today's bigger groups. The album was made for personal satisfaction, not to satisfy a contract, or score a hit. "It's a record that had been in my mind for a long time." she says. "I'd spent the last few years playing in my husbands band, playing lead guitar, which was very musically satisfying, but its really nice to put together a collection of my own songs and be the co-producer, the arranger, and get to conceive a concept all the way through. That's definitely a labor of love."

Classic acoustic guitar melds with dirty electric sounds to create the Ex-Reverie sound.  A combination that is not always the easiest to pull off. "More and more these days I feel like I hear in my head what I want the records to sound like, what I want the guitar tone to be, and how I want the acoustic and electric to mix. That's a big thing with my music, trying to find that balance between the acoustic folk and the really heavy psyche out stoner rock that I love," Chadwick states with a clear passion.

Chadwick has a true love of music, one that she explored scholastically as well as emotionally. "I actually went to school for jazz for a while," she imparts. "Part of my jazz experience was people trying to make you feel like rock music is just lame and too low brow to be appreciated. But I think that's really overlooking the visceral impact that it can have on you. Putting on a great rock song can completely up your mood and energy levels immediately. I wanna tap into the physical side of music, but also the cerebral thing is a big part of my life. That's the great thing about a rock song, because you can have all of the physical reactions, but then you can also have lyrics."

Emotional melodies and poignant lyrics echo in spades on The Door Into Summer, particularly on the introductory track, "Second Son". Chadwick's sultry voice dances over a light accompaniment, before the chorus erupts with a heavily distorted electric guitar. The gruff sound guitars are juxtaposed against lighter, dreamy vocals, giving the track unexpected warmth. The same can be said of "The Crowning", a bluesy number that started out with a clear cut intent.


_________________________________

"David Bowie really changed my life. His albums were more than just songs. It was a whole world that you could go to, this fun kind of identity that you could interact with. That's just something that I love about music..."

- Gillian Chadwick

_________________________________


 


"'The Crowning' really was my tribute to Kashmir. It was one of those things where when you set out to do one thing, and it comes out completely different," confesses Chadwick. I'm really happy with how it came through. Luckily I got Margie Wienk from Fern Knight who is one of my best friends. She is just a phenomenal cello and upright bass player, and she was able to nail it. I said 'Margie, do your 'John Paul Jones'"

Its friendships like that one that helped bring Ex-Reverie's sound together. Producer Greg Weeks helped forge the records tone: "Certainly a lot of the sound is thanks to Greg. His Hexham Head sound is very distinctive and he has pretty magical ears. It was a pleasure to work with him."

"Its interesting because it took a number of years of it being in my mind and working on it, and then at some point last year it finally all came together and all of my different influences made sense together, to me, for the first time," Chadwick says of her sound. "It suddenly got easy, like a great relationship. You know that its gonna work when its easy to do."

The multi-instrumental approach to Ex-Reverie's sound is captivating, but the magic would not be lost without all of its elements. Strings flow in and out of the tunes, all with a rock and roll base. Its that combination that gives the music its texture, but also leaves it open.

"The live show has been changing a lot." Chadwick offers. There's been different incarnations of it as we settle in, but also I wanted to keep it something flexible. I've been in bands before where it's a very big production and it requires lots and lots of coordination to put on any show, and I wanted Ex-Reverie to be something more flexible where I could book a show and play it solo if I had to, but preferably, my heart is really in the heavy riffs theses days. I love the opportunity to play full on electric."

Their live show consists of all of the elements that make the record a force to be recognized. The powerful emotions and themes are enhanced by the thrashing guitar and thundering bass, augmented rumbling drums and gorgeous cello work by Margie Wienk. All in all, it's a powerful four piece punch.

Chadwick wants those who encounter her music to feel something. Her priority is to express those feelings in whatever manner works best for them. "I love acoustic music and I love the sound of the acoustic guitar as much as anything out there, but I love to get the dynamics of the emotions across," she posits. "When I write a song, probably my number one focus is on the emotional arc of the melody, then secondly the lyrics. I want those things to come across. I don't want them to be dampened by anything or for me to have to keep too quiet. The live show is definitely trying to get the same energy across as the record."

That energy stems from a real zeal for rock music. Heavy or soft, Ex-Reverie brims with the kind of fervor and excitement that makes for a great record. Gillian Chadwick is an artist whose work, while being self confessional, can be openly enjoyed by anyone with an ear for a pure heart and 'hot riffs'.


Remaining Ex-Reverie American Tour Dates are as follows:


Apr 26 2008 8:00P
Golden West Cafe w/ Sri Aurobindo and Heavy Hands Baltimore, Maryland
Apr 27 2008 12:00P
Pi Lam Psychedelic Brunch w/ Heavy Hands Philadelphia, Pennsylvania
May 7 2008 8:00P
Cafe Che w/ Fern Knight San Diego, California
May 8 2008 8:00P
The Silverlake Lounge w/ Fern Knight LA, California
May 10 2008 8:00P
TBC The Ferndale Lodge w/ Fern Knight Big Sur, California
May 11 2008 8:00P
The Hemlock Tavern w/ Fern Knight San Francisco, California
May 13 2008 8:00P
The Space w/ Fern Knight Salem, Oregon
May 15 2008 8:00P
The Someday Lounge w/ Fern Knight Portland, Oregon

 


 






Tour Dates:

August 01
Milwaukee, WI

August 02
Chicago, IL

August 03

Minneapolis, MN

August 05
Saskatoon, SK

August 06
Calgary, AB

August 07
Missoula, MT

August 08
Boise, ID

August 09
Seattle, WA

August 10
Portland, OR

August 11
Eugene, OR

August 13
Fresno, CA

August 14
San Diego, CA

August 15
San Francisco, CA

August 16
Sacramento, CA

August 15
Los Angeles, CA

For additonal tour dates visit:
myspace.com/theacademyis

 

Google
 

About Us | Advertising | Privacy Policy | Contact Us | Credits | Legal | 2007 © Downtown Money Waster LLC